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March 8, 2014 |
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Wu was born in Tianjin. At 16 he moved to Guangzhou and became a machinist before migrating to Hong Kong in 1960. In 1962, Wu enrolled in the Shaw Brothers acting course. Graduating a year later, he became a contract player for the studio and made his first appearance in Lady General Hua Mu-Lan. He then appeared in such films as Temple Of The Red Lotus (1965), The Knight Of Knights (1966) annd Trail Of The Broken Blade (1967). During an http://www.channel4.com/film/reviews/film_dvd.jsp?id=102027 interview, Wu explained that he stumbled upon directing when he was offered an unexpected trip to Japan for a movie. The film's original assistant director was unable to clear his visa in time, and Wu was called upon to take his place. After the experience, Wu decided to become a director, and became famed director Chang Cheh's assistant in 1968. Wu assisted Chang in movies such as The Golden Swallow, and also continued to pursue acting. Image:Wu ma 70s.jpg|thumb|right|Wu Ma in the 1970s. In 1970, Wu became a director in his own right. His directorial debut, Wrath Of The Sword, was released the same year. In 1971, Wu released one of his seminial works, The Deaf And Mute Heroine. Wu mainly concentrated on directing in the 1970s, directing serveral movies - such as Young Tiger (1973) and Wits To Wits (1974). Wits To Wits has been noted as one of the precursors of the knockabout comedy Kung Fu genre that was later made famous by Sammo Hung and Jackie Chan. Another movie Wu directed, Manchu Boxer (1974), featured Sammo Hung, then a young choreographer and later one of the trend-setters of Hong Kong cinema. This marked the beginning of a strong working relationship between the two, which would become prominent towards the 1980s. He also co-directed with his former mentor Chang in several movies - The Water Margin (1972), The Pirate (1973), All Men Are Brothers (1975) and Naval Commando (1976). While most of his output during this period was as a director, Wu continued to appear as an actor and appeared both in his own movies and in several others, although his roles were generally limited to small appearances. During the mid-1970s, Wu joined a small exodus who were leaving Shaw Brothers due to corruption within the studio and became an independent director. Despite becoming an independent director, Wu was still able to work closely with some Shaw Brothers stars such as Ti Lung (The Massive (1978)). Image:Wu ma acgs.jpg|thumb|right|Wu Ma in 'A Chinese Ghost Story'. As the 1970s and the era of the martial arts film wounded down, Wu Ma's output as a director also slowed. His acting output, however, increased as he became increasingly well-known as a character actor. While Wu had made appearances in Hung's 1970s movies (such as Iron Fisted Monk), Wu's association with Sammo Hung began in earnest in the early 1980s. Wu appeared in Hung's groundbreaking Close Encounters Of The Spooky Kind (1980), a movie widely acknowledged as the precursor of the Hong Kong vampire genre, and directed and appeared in The Dead And The Deadly (1983), a noted classic in its genre which earned Wu a Hong Kong Film Award nomination for Best Director. Throughout the 1980s, Wu and Hung had a close working relationship, often with Wu as the director and Hung as the producer (such as My Cousin The Ghost (1986)). Wu also worked in Hung's production company Bo Ho as the production manager, and made appearances in almost every Hung-directed movie of the 1980s. Amongst the most notable movies were Millionaire's Express (1986) and Wheels On Meals (1986). Image:Wu ma jackie chan.jpg|thumb|right|Wu Ma and Jackie Chan, 'Mr Canton and Lady Rose'. Towards the mid-1980s, Wu became one of the most prolific character actors in Hong Kong, his now-rubbery face able to shift effortlessly across a spectrum of emotions. During the 1980s, he received three Hong Kong Film Award nominations for Best Supporting Actor - for Righting Wrongs (1986), where he played a policeman having to deal with his son's death; A Chinese Ghost Story (1987) as Yin Chek-Ha; and in The Last Eunuch In China (1988), as Lord Ting. Wu also began a working relationship with Tsui Hark, and appeared in several of Hark's movies. Aside from A Chinese Ghost, Wu also appeared in the earlier Peking Opera Blues (1986). After A Chinese Ghost Story, said by Wu to be amongst his favourite movies, Wu began to focus on the supernatural genre. Much of his directorial efforts after 1987 were within that genre, such as Portrait Of A Nymph (1988), Burning Sensation (1989) and Fox Legend (1991). Wu continued his working relationship with Hark, and appeared in Once Upon A Time In China (1991) and Swordsman (1991). The early 1990s were an especially prolific period in Wu's career - with Wu appearing in over 14 movies during one year. As the Hong Kong film industry began to slump, Wu's career also slowed considerably. After appearing in High Risk (1995), many of his appearances were either in low-budget movies or in television series. Wu has become an active player in television, and has made several series mainly made for mainland Chinese audiences. Wu stated that working in television is quite a contrast to working in film, as the former takes up far more time. Wu has also appeared in the recent movie House Of Fury (2005).
Category:1942 births Category:Chinese actors Category:Chinese film directors This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Wu Ma".
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